Quotes by Nega Mezlekia

"Though the uprising had freed the vassals from any obligations they might have had to their former masters, it had yet to profit them. In fact, as the villagers had to man their new borders, build their own prisons, police their markets, and look after the judges they appointed, the amount of money that went to communal use steadily increased. Many ended up paying out more this way than they ever had under the deposed system. But the uprising was never undertaken for riches; it was about basic human dignity. Nor was it for revenge, but self-determination; not for shedding blood, but ending bloodshed. Above all, it was about realizing fair access to natural resources.

Two years after discarding the old shackles, they kissed their wives and children good-bye and headed for the trenches, many of the village men would look back at the distances they had traveled and shake their heads in disbelief. Indeed, what an exhilarating feeling it must have been for someone who had never made a decision for himself to have, finally, his destiny firmly in his grasp: to grow the crop of his choice, to paint his home the color he fancied, to marry his daughter to the man he favored, and to be able to send his children to school, all without fear of repercussions from a feudal master. What is more, the peasant no longer needed to submit himself to the humility of waiting on his master’s guests while his wife and daughter labored in the kitchen, preparing food they were not allowed to sample. The peasant might die fighting to hold on to his newly gained freedom; in the past he had always been dying fighting for someone else’s cause. This was a feeling many outsiders, Duke Ashenafi and Reverend Yimam, above all, would never understand."
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"Many a warlord engages a spiritualist to influence the outcome of a war he is involved in. A priest may consecrate a campaign, and may even join the soldiers on the battlefield in a total effort to shore up their fighting spirit; a spell-caster is hired to curse the wretched enemy. But as the war drags on and divine intervention proves hopelessly distant, an Abettor is sought.

A self-appointed admiral, the Abettor is versed in the art of modern warfare, developments in armaments, the strengths and weaknesses of warring parties in his domain, and, above all, is the deciding factor in the most prickly situations. Driven by his passion for a fair fight more than any personal reward or gratification, a good Abettor thinks nothing of abetting both belligerents in a given engagement.

A celebrated Abettor came to the rescue of Count Ashenafi. A slight man with wooden dentures, the war broker had spent many of his ninety-three years crisscrossing territories, often with little regard for political borders, in search of a war to sponsor. He was a living archive: at his fingertips were all the battles that had been fought in his vast domain for the past six centuries and the strategies and tactics that had endured through generations. He was well acquainted with the armaments and able-bodied men within reach of not just princes and kings but also the lesser war-makers—feudal lords.

A quick study of human nature, the Abettor realized that men may endure without bread and water but not without war, and so he made it his calling to afford them a fair and refreshing combat. He spent his days and nights sniffing for gunpowder, carrying on his back his worldly possessions of an old rifle, the Holy Scriptures, an extra copy of the Book of Hymns, and a small sacrifice for the road. He slept while walking. Having adjusted his needs to the ever-shifting clime, he could go without food or water for up to six months. Only in times of abundant harvest did he answer the call of nature.

Though many brave men had sought him out in times of pressing need, the war patriarch had failed to earn their affection. A few of the people he had so diligently served had conspired to put him out of service in the most hideous ways. In an ordinary year, he could expect to be stabbed to death twice. Once, an army of retreating archers shot him with ninety-five arrows. On three different occasions, he was carved into palm-sized pieces and his remains served to hawks and storks; he was also known to have been buried alive. But, each time, the old man resurfaced in some remote corner of the kingdom in one piece, invigorated by his ordeal, ready to influence the outcome of another raging war."
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"Suddenly, it seemed to me an eternity since I had last seen Mam, and I cried.
"What is wrong with the boy?" the monk asked.
"It is his first day out," Dad fumbled.
"Cheer up," the monk said to me. "You are becoming a man."
"I am hungry," I told him.
"That is one way of becoming a man," he concluded."
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"It is the stale breath of Death on his open and vulnerable neck that immortalizes the hero, that lends a fireside story its luster."
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"Apathy in the face of continual violence is something someone who has never lived through a war cannot understand."
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Books by Nega Mezlekia

Nega Mezlekia
  • Nega Mezlekia

  • Born: Jijiga, Ethiopia.

  • Description: Nega Mezlekia (Amharic: ነጋ መዝለክአ; born 1958) is an Ethiopian writer who writes in English. His first language is the Amharic language, but since the 1980s he has lived in Canada so speaks and writes in English.

    Nega was born in Jijiga, the oldest son of Mezlekia, a bureaucrat in the Imperial government. Although initially supporting the revolution that deposed Emperor Haile Selassie, he grew strongly critical of the regime of Mengistu Haile Mariam. As a late teenager he abandoned his mother and siblings and set off with his best friend to join one of the armed rebel groups. In 1983 he left his position at Haramaya University to accept an engineering scholarship and study at Wageningen University. After two years in the Netherlands he was still unable to return home so moved to Canada instead. He has still never returned to Ethiopia.

    He recounted his life story in his first book, Notes from the Hyena's Belly. Published in 2000, his book won the Governor General's Award for English language non-fiction that same year.

    Mezlekia followed it up with the novel The God Who Begat a Jackal, which concerns an old Ethiopian myth. Although he still is a practicing engineer he indicates that he misses that sense of myth and spirituality from his youth.

    (from Wikipedia)

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